The Debauchionary

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A LIQUORED-UP AND LASCIVIOUS LEXICON

 

 

 

Featured Entry:

 

BUTTENREDE — A form of humorous, rhyming speech, heard during Carnival in Cologne. “Butte” means a beer barrel, used as a lectern by the orators

 

Colonia Claudia Ara Agrippinensium was established in the year 50 as a Roman outpost on the Rhine River. Work on the city’s immense and stunning Dom, or cathedral, began in 1248. It remains the most visited site in Germany – an impressive feat when one considers the throngs that descend on Munich for Oktoberfest.

 

The church and its iconic twin spires came through World War II more or less intact, yet Cologne occupies part of Germany’s industrial heart and was subject to heavy Allied bombing. In 1941, the construction of an air-raid shelter uncovered the ruins of a 3rd-century villa; the location is now the site of the city’s fascinating Romano-Germanic Museum. The Museum’s centerpiece is a well- preserved mural of Dionysos. Appropriate enough, given that Cologne hosts what many consider the most vibrant pre-lenten party in the German-speaking world.

 

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The festivities are overseen by His Craziness, the Carnival prince. He is attended by the Bauer, a loyal peasant character and the Jungfrau. The latter can be translated as “maiden” or “virgin” and true to the sprit of the celebration has historically been portrayed by a man. Rounding out the retinue, the members of the Prinzengarde make an utter mockery of military discipline.

 

The first written reference to the proceedings dates from 1341. So entrenched is the tradition that, despite its subversive nature, it was tolerated under the Nazis: with one key exception. The Jungfrau in drag proved somehow too depraved for the party of Goering and Himmler, which mandated an actual female maiden. When the Thousand Year Reich ended after twelve, the Carnival court was restored in all its transgressive glory.

 

Streets resound with spontaneous shouts of “Alaaf!” the cadences of Buttenrede, a form of rhyming, humorous rhetoric. “Butten” means a cask or keg, such containers typically serving as a lectern for the orators. Der Wieberfastnacht, or Women’s Carnival, falls on the last Thursday before Lent; local Damen are free to kiss all the men they desire. Less pleasantly, leave is given to snip of the tie of any Herr foolhardy enough to wear one. As in other places, merriment rages until Ash Wednesday, but the highlight is Rose Monday, when rowdy processions abound. The main parade in Cologne attracts over a million spectators and is broadcast on national television.

 

 

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In the Rhineland, the celebration tends to be known by the Latinate term Karneval. In Bavaria, the Germanic Fasching or Fastnacht prevails. Regardless of nomenclature, Carnival is considered the funfte Jahreszeit, or “Fifth Season of the Year”, officially commencing at 11 AM on the 11th of November. Elsewhere, the time and date are associated with the armistice that ended the First World War. Given the horrors that subsequently sprang from that defeat, it is understandable that Germans cherish the more joyous implications of the day.

 

It will be noted that the Karneval season encompasses the entire period of Advent, Christmas and New Year’s. The persistence of the custom suggests a longing basic to the primeval essence of Europe. Since long before the birth of Christ, before the rise of Greco-Roman society, there has been an impulse to spread cheer and color even – especially – during the darkest months.

 

Complete Glossary:

AFOXÉ  — A Carnaval grouping inspired by the Candomble religion
ASH WEDNESDAY — In the Roman Catholic liturgical calendar, the day that marks the beginning of Lent. Believers go to church and have their heads daubed with ashes; traditionally, the end of Carnival.
AXÉ — The Yoruba word axé can be translated as “energy” or “life force”. In Bahia, the term has come to refer to various styles of popular music
BACCHANAL — Commonly, any gathering centered around generous consumption of alcohol. Derived from Bacchus, the Roman god of wine, the phrase is frequently associated with Carnival, especially in the English-speaking Caribbean.Cornelis_de_Vos_-_El_triunfo_de_Baco
BAKHTIN, MIKHAIL — Soviet philosopher and literary theorist (1895-1975). In Rabelais and His World, Bakhtin examined the carnivalesque culture of late medieval France through the lens of class struggle. 
BATERIA — The percussion section of a samba school. In the largest parades, the bateria may consist of up to 300 individuals
BAUTA — A plain white mask, traditionally held in place by a three-cornered hat. The iconic image of Venice’s Carnivale and masquerades in general.
BLOCO   –  A grouping of revelers in a Carnaval procession, generally smaller and less formal than an Escola de Samba
BONECOS GIGANTES — “Gigantic dolls”, often depicting famous footballers or politicians, which may be as large as 6 meters. Crafted from fiberglass, wood or aluminum, they are carried through the Brazilian city of Olinda during Carnival celebrations.
BUTTENREDE — A form of humorous, rhyming speech, heard during Carnival in Cologne. “Butte” means a beer barrel, used as a lectern by the orators
CALINDA — Stick-fighting competition, a feature of Carnival in rural Trinidad during the colonial era. Stick_Licking1
CALYPSO — A genre of popular song originating in Trinidad, frequently centered on sexual themes or political satire. Top calypsonians distinguish themselves through clever wordplay and double entendre.
CHANTOUELLES– Creole singers who led call-and-response songs at Calinda bouts, extolling the prowess of their champions and mocking the opposition. Anglicized as “chantwells”, they are seen as forbears of calypsonians.
CHIENLITS — Literally “shit-a-beds”, derisive name for working class revelers in pre-revolutionary France.

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CIRCUITO — Any one of the routes used for official Carnaval street parades. In Salvador da Bahia, the main circuitos are Dodo, Osmar, and Batatinha.
COMMEDIA DELL’ ARTE — Genre of comedy originating in medieval Italy. The plays were performed by troupes of traveling actors, and the stock characters have inspired  Carnival costumes and masks
 
COURIR — A type of Carnival procession involving horses or pickup trucks in parts of rural Louisiana.
CROP OVER A Carnivalesque celebration in Barbados, originally marking the end of the annual sugar cane harvest
CULECO — Large tanker trucks filled with water and fitted out with hoses. Used to spray crowds of carnival celebrants in Panama.
DIABLOS SUCIOS — “Dirty devils”, folkloric characters in Panama’s Azuero peninsula, seen throughout the country during Los Carnevales.
DIMANCHE GRAS – Literally, “Fat Sunday”, when prizes are awarded for the best costumes and the Calypso Monarch title is bestowed.
ENREDO — The unifying theme of samba school’s procession, reflected in the music and design
ENTIERRO DE LA SARDINA — “Burial of The Sardine”, mock funeral rite marking the end of Carnival in parts of Spain. 433px-GOYA_-_Entierro_de_la_Sardina_(Real_Academia_de_Bellas_Artes_de_San_Fernando,_1812-14)
ESCOLA DE SAMBA — “Samba School”, a social and artistic organization famed for staging elaborate parades in Rio de Janeiro and other cities
FASCHING — Also Fastnacht, name for pre-lenten celebrations in Bavaria and other parts of southern Germany; in the Rhineland, the more Latinate phrase Karneval is used
FÉCOS — Local name for the annual festival held during Carnival season in the Occitanie region of southwest France.
FIESTA DE LOS INDIANOS — Carnival Monday celebration on the Canary island of La Palma, famed for a ritual fight with talcum powder. The “Indians” in question are locals who migrated to the Spanish Caribbean, a/k/a the Indies.
FREVO — Form of music originated by brass bands in the state of Pernambuco. Syncopated and sinuous, it is now popular throughout Brazil.
GNOCCHI — Small dumplings of potato and flour, served like pasta. The traditional Carnevale dish of Verona.
GUMBO — A type of stew including combinations of meats, seafood, vegetables and rice. Preparation of gumbo is a centerpiece of Mardi Gras festivities in Cajun country  image
HARLEQUIN — French name for Arlecchino, a popular character from the Commedia del’ Arte tradition.476px-Marks,_J.L._-_theatrical_portrait_-_Mr_Ellar_as_Harlequin_-_Google_Art_Project
INVERSION — To invert anything is to turn it upside down. Inversion of the usual social norms has been a hallmark of Carnival throughout history and around the world.
JAB MOLASSIE — A horned and vaguely menacing presence during Carnival in Trinidad & Tobago. Though the name is derived from the French for “molasses devil”, they typically take to the streets covered in grease or paint — and very little else.
JOE CAIN DAY– The final Sunday before Lent, occasion for a rough-hewn “People’s Parade” in Mobile.

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JOUVERT — “Day Break” an informal parade that marks the official start of Carnival, although in reality festivities start weeks earlier.
JUMBIES — Collective name for a variety of malevolent spirits, part of the folk religion of Trinidad & Tobago. Jumbies have often served to inspire Carnival songs and costumes.
JUNKANOO — A festival celebrated in the Bahamas, with parallels to Mardi Gras and the ancient Roman Saturnalia   bahamas
KAISO — Term for early, traditional style of calypso music. The word is said to be derived from the Hausa language of West Africa.
KING CAKE — Pastry into which a coin or some other token has been baked. In France it was traditionally shared on the feast of Epiphany. In Louisiana, it is Mardi Gras fare.
KREWE — Social organization dedicated to parades and balls during Mardi Gras season.
LECHONES — “Suckling pigs”, rival bands of costumed revelers in the Dominican city of Santiago de Los Caballeros
LENT — In most Christian denominations, a period leading up to Easter. The faithful are urged to abstain from indulgences and vices. Carnival ends when Lent begins.
MARACATU — Carnaval ritual of northeastern Brazil. Various “nations” pay homage to their kings and queens. Processions are marked by call-and-response vocals and stately rhythms pounded out on drums, shakers, and bells.
MARDI GRAS – “Fat Tuesday”, the last day of Carnival. Often used to indicate the season as a whole.
MAS — Short for masquerade. To “play mas” means to don a costume and take part in a parade.
MASCHIERI — The mask-makers’ guild, organized in 15th century Venice
MASLENITSA — Week-long celebration leading up to “Great Lent” in Russia and some neighboring lands
MATA-ROCS — “Donkey Killers” nickname for residents of the town of Solsona in Catalonia. Legend attributes the name to the accidental lynching of a quadruped; the incident is commemorated during carnival with the hoisting of a papier-mache effigy.
 
MYSTIC ORDER — Mobile, Alabama’s equivalent of a Mardi Gras Krewe.
PANCAKE TUESDAY — The last day before Lent in the Great Britain. One of the few Carnival traditions to survive the Reformation.
PANORAMA — An organized series of competitions between steel ensembles, culminating on the final Saturday before Lent.
PIPOCA — Portuguese word for “popcorn” used to differentiate parade spectators from those in a bloco or watching from a paid viewing location. In other words, the majority.
ROAD MARCH — The song that serves as the “anthem’ of a given Carnival, determined by how often it is played on mobile sound systems as they pass designated points.
ROBA LA GALLINA — Dominican men dressed as voluptuous, parasol toting matrons. Translated as “Steal-the-hen”, the conceit is that an ample bosom and prodigious rump are ideal for concealing purloined poultry.
SATURNALIA — An ancient Roman festival dedicated to the god Saturn and held around the time of winter solstice; some see Saturnalia as a precursor of modern carnival.
SAVANNAH — Formally, Queen’s Park Savannah. A large public space in Port of Spain, the epicenter of many Carnival activities.
SHROVETIDE — The final three days before Lent, when the faithful traditionally receive the sacrament of Penance. Concurrent with, yet separate from, the indulgences of Carnival.
SOCA — Fast, syncopated style of dance music considered to be an offshoot of calypso.
STEEL PAN — A type of percussion instrument fashioned from an oil drum. “Pan” is used to refer to the instrument itself and the entire genre of music performed by steel orchestras.
THROW  — Any one of various objects distributed as souvenirs by members of a krewe during Mardi Gras parades.
TRIO ELECTRICO – Motorized stages on wheels, with sound systems and lights. A fixture of Carnaval parades in Salvador da Bahia.
VEJIGA – The inflated bladder of a hog or bull, dangling from a strap and carried by costumed Diablos during Carnival processions in the Dominican Republic. Revelers who get too close risk a sharp blow across the buttocks.
VOIL  JEANETTEN — Men in dresses and women wearing beards during Carnival in Aalst, Belgium. Genders are bent and egos bruised as these “Dirty Janes” engage in the good-natured abuse of onlookers.
WIEBERFASTNACHT Women’s Carnival in Cologne, held on the last Thursday before Lent. Local Damen are free to kiss all the Herren they desire.
ZOUK – Fast paced “jump-up” style of music, originating in the French Antilles.  A feature of Carnival on Martinique and Guadeloupe.
     Header photo and gumbo illustration (c) Jubilation Research International. All other images in public domain.
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